Issue 31 Winter 1984
Contents
EditorialExhibitions Cheryll Sotheran, Auckland; Avenal McKinnon, Wellington; Evan Webb, Christchurch; Peter Leech, Dunedin
Sheridan Keith Rodney Fumpston's Decade
Private Symbol: Social Metaphor-The Fifth Biennale of Sydney
Elwyn Lynn Colin McCahon. The View from across the Tasman
Janet Paul Exhibitions and Seminars
Claudia Pond Eyley Robin White in Kiribati
Peter Ireland Peter Peryer: The Significance of Repetition
Anne Kirker A Visit to Max Gimblett
Ray Thorburn The Stuffed Stuff Show
Alexa M. Johnston John Holmwood: Thirty Years of his Painting
Julie King Margaret Stoddart: The Landscapes of a Canterbury Flower Painter
Gordon H. Brown The Pursuit of Modernism in the 1940s and Early 1950s, part 2
Rosemary Hemmings The Rotorua Art Gallery and Museum
Tom Weston Art for Breakfast
Books Wahine Toa: Women of Maori Myth, reviewed by PRISCILLA PITTS Collecting Original Prints, reviewed by ALAN JENKINS The Critical Historians of Art, reviewed by PETER LEECH Through Fifty Years: The South Canterbury Art Society, reviewed by IAN LOCHHEAD
